Touching FL Studio. Image Line has long been fans of touchscreen technology. They are one of the few audio software companies with a decent and workable Windows 10 universal music making app, that works well on tablets and hybrids. FL Studio itself is one of the most friendly DAWs for touch screens. Root Key - The default Root Key is C5. The blue note (C5 in the example above) shows the root key of the channel. Right-Click a note to change the setting. As each sample has an original pitch, FL Studio needs to know what key should play at this pitch.
Note Repeat in FL Studio, just like an MPC!
The note repeat function on Akai MPCs allows you to trigger a sampler at an interval you chose just by holding down a pad; you hold down a pad, a hihat plays eighth notes or whatever. I’m pretty sure that some midi pad controllers from Akai can do this, just by sending a bunch of note messages when you hold down the pad, but if you have a pad controller that can’t do this, there’s still a way. The Korg Padkontrol’s roll function can sort of do this, but it kind of sucks.
To do this in FL Studio, I’m going to use a layer with the FPC and a normal sampler channel as children. In the normal sampler channel, I’ve put a sample of a hihat in, and set the root note and note range to the note that corresponds to the pad I want to use for the hihat. What? Well, the pad I want to use on the Padkontrol sends out F#4 notes when I hit it. Since both the FPC and sampler channel are being controlled by the layer, both of them will recieve all of the notes from the Padkontrol. By left-clicking F#4 on the keyboard in the channel settings window, it will only respond to F#4, and then by right clicking F#4, I make sure it plays at the right pitch. If you screw up, there’s a reset button in the MISC tab.
Now that I’m triggering the hihat with the right pad, I can set it to repeat. In the FUNC tab of the sampler, turn the arpeggiator on. I don’t think it matters which mode (ascending, descending…) you use, since it’s only going to be playing one note. Set the CHORD to (none), this is pretty important. Set the TIME knob until it’s playing the speed you want, .and you’re done, pretty much. Put some drum sounds into the FPC, make sure you have the Layer selected, and play away. If you really want to, you could make another sampler channel on a different note for a double time hihat or something.
Usually, I just play the hihats normally with my Padkontrol, but this could be fun, especially with super fast buzzing samples all over the place. Here’s a zipped loop file, if you don’t have a Padkontrol, you’ll have to edit it.
To do this in FL Studio, I’m going to use a layer with the FPC and a normal sampler channel as children. In the normal sampler channel, I’ve put a sample of a hihat in, and set the root note and note range to the note that corresponds to the pad I want to use for the hihat. What? Well, the pad I want to use on the Padkontrol sends out F#4 notes when I hit it. Since both the FPC and sampler channel are being controlled by the layer, both of them will recieve all of the notes from the Padkontrol. By left-clicking F#4 on the keyboard in the channel settings window, it will only respond to F#4, and then by right clicking F#4, I make sure it plays at the right pitch. If you screw up, there’s a reset button in the MISC tab.
Now that I’m triggering the hihat with the right pad, I can set it to repeat. In the FUNC tab of the sampler, turn the arpeggiator on. I don’t think it matters which mode (ascending, descending…) you use, since it’s only going to be playing one note. Set the CHORD to (none), this is pretty important. Set the TIME knob until it’s playing the speed you want, .and you’re done, pretty much. Put some drum sounds into the FPC, make sure you have the Layer selected, and play away. If you really want to, you could make another sampler channel on a different note for a double time hihat or something.
Usually, I just play the hihats normally with my Padkontrol, but this could be fun, especially with super fast buzzing samples all over the place. Here’s a zipped loop file, if you don’t have a Padkontrol, you’ll have to edit it.
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And here’s a bad example,
If you want powerful MIDI editing in a DAW, then you can't go far wrong with FL Studio! In this quick tutorial we take a look at the Slide Note feature: what it does and how to use it.
FL Studio has some great MIDI Editing gems that tend to be slightly hidden away, making most users unaware of the tools and their functions. One of these great tools is the Slide Note feature. Let me show you how to find it and let us look at its uses.
Where is the Slide Note?
The Slide Note is a great tool in FL Studio that can be used to slide a note from one pitch to another over a specified duration. Currently, it only works for FL Studio bundled instruments, so I’m going to show you how to use it with Harmor. I’ve loaded up the Viking preset, and I've added some distortion processing with the Hardcore guitar effects plugin. You can use another synth if you want to follow along.
So first draw in a MIDI note in the Piano Editor. I have drawn in a note on C2, and its duration is 1 bar.
Now if you look at the top left of the Piano Editor, you’ll see the Slide Note tool. Click on this to enable it for the next note drawn in, and then draw in another note a quarter note length after the first note on the C3 pitch, so an octave higher.
Watch it Slide
Now for the fun bit. Play back your synth and hear how it slides up from the first note, C2, to the next note, C3. Also, notice how you can distinguish the slide note as it has the same slide icon on the MIDI note. Csgo black screen problem.
What you can also do is test out different note lengths for the slide note. With a shorter note, it’ll slide into the part faster. And with a longer slide note, it’ll take longer to slide up or down from the first note to the second note.
Also, make sure that your first note extends for the same note length or further than the slide note.
Slide Note Risers
These slide notes work very well for risers. So I’m going to use Harmor again. It’s going to play a note, and then a beat after the note it's going to have a very long slide note over the course of 2 bars. So it’ll slide up an octave.
Now I have a kick playing a four on the floor pattern. What I want to do is sidechain the synth to the kick, so it creates a pumping effect. You can read this article here for further details on setting up a sidechain on the synth. But I’ll quickly touch on it here.
So I’ll insert a Fruity Limiter on my Harmor track and set it to compressor. I’ll then select the Kick track and then on the Harmor track I’ll choose to sidechain to this track. I’ll dial in quite a heavy compression setting with a high ratio, low threshold, and short attack.
Fl Studio Change Root Note 2
Now when I play back I have an awesome riser section just using two notes on my synth. Pretty powerful stuff.
Now when I play back, I’ll have this note sliding up an octave plus it’ll be creating a pumping effect with the kick as the sidechain source.
That’s pretty cool, and I’m sure there are lots more ways to get creative with the Slide Notes. I’ll leave it up to you.
Conclusion
So that’s how easy it is to use FL Studio’s Slide Notes to create interesting pitching and riser effects. Try these out in your next productions.